SAMICK FORMULA greg bennet

Greg Bennett Guitars are produced by Samick Music Corporation.
After 40 years of producing guitars, Korean musical instruments manufacturer Samick hired industry veteran Greg Bennett to give their guitar line a radical makeover, with the goal of improving appearance, sound quality, and build quality. About Greg Bennet Guitars. Greg Bennett Guitars. Retrieved on 2007-05-05.
Greg started redesigning the instruments at his studio in Nashville, Tennessee, after which the search for the electronics and woods took place. The new Samick guitars, now under the name of Greg Bennett Guitars, possess a wide array of professional level parts including pickups designed by Seymour Duncan, machine heads from Grover and bridges by Wilkinson. The new woods used in the production are also high quality; the search for distinctive tonewoods ranged world-wide, netting woods such as ovangkohl and ebony from Africa, rosewood from India and rock maple from North America.
Greg Bennett Guitars manufactures a range of stringed instruments including electric, acoustic and archtop guitars, electric and acoustic basses, and mandolins, banjos, ukuleles and Autoharps.
Elegant names were given to every line of instruments to stimulate better product identification and also to give a more "high-end" feel.[citation needed] Perhaps the most common distinctive feature in all these new instruments (apart from the mandolins, banjos and autoharps) are the signature angled-back headstock.[citation needed] These headstocks feature the new logo right at the top and are designed small intentionally, as Greg states that bigger headstocks rob more energy from a vibrating string, causing less sustain.[citation needed]
Greg Bennett Guitars have gained acclaim from many performing artists. Greg Bennet Guitars - Artists. Greg Bennett Guitars. Retrieved on 2007-05-05.

FENDER STRATOCASTER

The Fender Stratocaster, (often referred to as a Strat), is a model of electric guitar designed by George Fullerton, Leo Fender and Freddie Tavares in 1954, and manufactured continuously to the present. The Stratocaster has been used by many leading guitarists, and thus can be heard on many historic recordings. Along with the Gibson Les Paul, Gibson SG, and the Fender Telecaster, it is one of the most enduring and common models of electric guitar in the world. The design of the Stratocaster has transcended the field of music to rank among the classic industrial designs of all time; examples have been exhibited at major museums around the world.[1]
The Stratocaster has been widely copied; as a result, the term "Strat" is often used generically when referring to any guitar that has the same general features as the original, regardless of manufacturer.

Origins
The Fender Electric Instrument Manufacturing Company (now known as Fender Musical Instruments Corporation) developed the first commercial solid-body 'Spanish' (as opposed to 'Hawaiian,' or lap steel) electric guitar beginning in 1948 - the Telecaster, a simple design whose earliest models were offered under the name Broadcaster or the single pickup Esquire. While the Telecaster and its variants were successful, many guitar players of the day used a Bigsby unit, a spring-loaded vibrato device that players use to bend notes up and down with their pick hand. Instead of adding a Bigsby, Fender decided to produce a new, more expensively-made ash or alder line of guitars with his own design of vibrato, which Leo Fender incorrectly referred to as a "synchronized tremolo" (see tremolo arm for more on the evolution of such mechanisms). His decision was also influenced by guitarists Rex Gallion and Bill Carson, who requested a contoured body to temper the harsh edges of the slab-built Telecaster; the new ash body shape was based on that of the 1951 Precision Bass.
The name, 'Stratocaster,' was intended to evoke images of new jet-aircraft technology (such as the Boeing B-52 Stratofortress), and to express Fender's modernistic design philosophy. In designing the Stratocaster's body, a significant area of the back of the guitar, and the area where the strumming arm rests, were beveled to accommodate the player's chest and arm. The upper bouts featured two cutaways, for easier access to the higher frets. The new 'Custom Contour Body' and 'Synchronized Tremolo' bridge made the Stratocaster a revolutionary design.

The headstock shape of the Stratocaster is patented by Fender.[1]
The guitar also featured more complex electronics than the Telecaster: three single coil pickups, each with staggered magnetic poled alnico magnets (a mix of Aluminum, Nickel and Cobalt, hence the name); a three-way selector switch (five-way since 1977); one volume knob, and two tone controls, one each for the neck and middle pickups. A three single-coil pickup design was an innovation already in use by Gibson in their ES-5 model since 1949. However, Fender's pickups were much more compact.
In the book "The Stratocaster Chronicles", page 33, Mr. Fender explains how the inspiration for the headstock came from his seeing instruments played by visiting Croatian musicians. "it was originally a Croatian design" Leo Fender said. He was speaking of the instrument called "Tamburica".
Patents were applied for all these new designs, and production line Stratocasters reached the market in early 1954 for US$249.50 (approximately US$1,850 in 2007 currency[2]). The basic production model had a two-tone nitrocellulose 'sunburst' finish, one-piece maple neck, ash body, chrome hardware, and Bakelite-like thermoplastic parts. Other manufacturers began imitating these innovations immediately. An early-model Stratocaster was a key component of Buddy Holly's signature look, along with his black-rimmed glasses, and he was among the first players to popularize the Stratocaster in rock music.[3] Both his gravestone and his walk-of-fame statue in Lubbock, Texas feature a Stratocaster.

From 1959 to 1967, the Stratocaster was refitted with a rosewood fretboard, as well as color choices other than sunburst, including a variety of colorful car-like paint jobs that appealed to the nascent surfer and hot-rod culture, pioneered by such bands as the Surfaris, the Ventures and the Beach Boys. Dick Dale is a prominent Stratocaster player who also collaborated with Leo Fender in developing the Fender Showman amplifier. In the early 1960s, the instrument was also championed by Hank Marvin - guitarist of the Shadows, a band which originally backed Cliff Richard and then produced instrumentals of its own. So distinctive was the Hank Marvin sound that many musicians - including the Beatles - initially deliberately avoided the Stratocaster and chose other marques. However, by 1965, George Harrison and John Lennon of the Beatles both acquired Stratocasters at about the time of the Rubber Soul recording sessions.

Eric Clapton plays his signature model at the Tsunami Relief concert, January 22, 2005
The one-piece maple neck was discontinued in 1959. However, a maple neck with a glued-on maple fretboard was offered as an option in 1967. The rosewood fretboard over maple neck remained as the other neck option. In 1969, after a ten year absence, the one-piece maple neck was again made available as an option. The primary reason for the switch to rosewood was to meet increased demand; as one piece maple necks required more work to manufacture and more work to finish.
Since the introduction of the Ultra series in 1989, ebony was selected as a fretboard material. Guitar models with such fingerboards include the American Deluxe FMT/QMT Stratocasters and Telecasters, introduced in 2004, sporting a solid select alder body with quilted or flamed maple top, HSS (Strat) and HH (Tele) pickup configurations with S-1 switching.
Many artists (including Buddy Guy, Rory Gallagher, Eric Clapton, Jimi Hendrix, and Mark Knopfler) discovered that the pick-up selector could be lodged in between the basic three settings (often using objects such as matchsticks to wedge it in position) for further tonal variety. Since 1977, Stratocasters have been fitted with a five-way switch to make such switching more stable. Other subtle changes were also made to the guitars over the years, but the basic shape and features of the Strat have remained unchanged. In the 1970s and 1980s, some guitarists began modifying their Stratocasters with humbucking pickups, especially in the bridge position to create what became known as the Superstrat. This was intended to provide a thicker tone preferred in the heavier styles of hard rock and heavy metal. Notable early examples of this are Allan Holdsworth and Iron Maiden's Dave Murray (also Eddie Van Halen's home made guitar, Frankenstrat, was essentially a single-humbucker Strat). The popularity of this modification grew and eventually, Fender began manufacturing models with a bridge humbucker option, denoted and separated from the original triple single coil by the title of "Fat Strat", as a reference to the humbucker's distinct sound.
Players first perceived a loss of the initial high quality of Fender guitars after the company was taken over by CBS in 1965. As a result, the late-'60s Stratocasters with 3 bolt neck joints (instead of the traditional 4) and the large "CBS" headstock fell out of fashion. However, Jimi Hendrix and many other blues-influenced artists of the late '60s soon adopted the Stratocaster as their main instrument, reviving the guitar's popularity. George Harrison used a Stratocaster in the 1971 Concert For Bangladesh, (though Eric Clapton had started using Stratocasters at this time, he used a Gibson during the concert) giving the Strat additional high visibility in rock circles. Also, so-called 'pre-CBS' Stratocasters are, accordingly, extremely sought-after and expensive due to the huge perceived difference of quality even with contemporary post-CBS models. In recent times, some Stratocasters manufactured from 1954 to 1958 have sold for more than US$175,000. Many now reside in Japan, cached away as collectible pieces of Americana.[citation needed]
After a peak in the 1970s, driven by players such as David Gilmour of Pink Floyd, Ritchie Blackmore of Deep Purple, Eric Clapton, and Mark Knopfler of Dire Straits, another lull occurred in the early 1980s. During that time, CBS-Fender cut costs by deleting features from the standard Stratocaster line, despite a blues revival that featured Strat players such as Stevie Ray Vaughan, Robert Cray, and Buddy Guy (a Stratocaster player since the mid-1960s, sometimes credited with influencing Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan in their choice of the Stratocaster as a primary blues-rock guitar).[citation needed]
In England, The Shadows' lead guitarist Hank Marvin who got the very first Stratocaster to be exported to Europe (a '58 Fiesta Red model that started the huge success for this color's sales for Fender), played vintage Strats till the end of the 80s, then turning on his own Signature Stratocaster model.
However, when the Fender company was bought from CBS by William Schultz in 1985, manufacturing resumed its former high quality, and Fender was able to regain market share and brand reputation. This sparked a rise in mainstream popularity for vintage (and vintage-style) instruments.

so thats it about the best guitar for blues i guess

source from wikipedia, check it out if you want to